okaytimber and Tiaras

regarded a sacred tree, the all rightis the emblem of Zeus, god of the sky and thunder, and king of the entire gods on Mount Olympus. it’s a logo of energy and persistence and has the paranormal attribute of being a link between the earth and the heavens. commemorated in England for centuries, the alrightalso symbolizes majesty, which makes it a perfect motif for tiaras.

Tiaras and diadems have their starting place in the historic customized of crowning the triumphant with laurel branches or o.k.twigs and acorns. In historic Greek instances, they were also worn through girls to enhance their seem to be and screen their reputation, and also given as offerings to the gods and sometimes served as bullion.

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The contents of Greek temples and sanctuaries reveal that large numbers of gold wreaths have been left as dedications and manufactured from foliage sacred to the deity the temple turned into dedicated to: wheat for Demeter, ivy for Dionysus and alrightfor Zeus. From the fourth century B.C. onward, wreaths had been present in burial sites in Macedonia, Southern Italy, Asia Minor and the North Pontic enviornment. 

Napoleon wearing his famous laurel-leaf crown in 1804.

Napoleon donning his noted laurel-leaf crown in 1804.

Tiaras within the shape of wreaths of leaves had been revived within the Napoleonic period. Napoleon chose a gold laurel-leaf headdress to be crowned emperor in 1804, and sprays of laurel and myrtle leaves encrusted with diamonds decorated the heads of the feminine individuals of his family attending the ceremony.

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This golden laurel leaf trimmed from the coronation crown of Napoleon in 1804 and weighing 10 grams (.35 ounces) sold for $730,000 at an auction in 2017 in Paris.

This golden laurel leaf trimmed from the coronation crown of Napoleon in 1804 and weighing 10 grams (.35 oz.) offered for $730,000 at an auction in 2017 in Paris.

Leaf-wreath tiaras remained generic all the way through the nineteenth century and a few excellent examples designed as sprays of all rightleaves had been produced in England for a couple of British households including the Howard’s, Howard de Walden’s, Crichton-Stuarts, and the Norfolk’s – where the o.k.leaf is an element inside their coat-of-arms. 

The okayleaf, besides being emblematic of fortitude and energy, has also assumed a patriotic importance and was adopted for jewels celebrating the defeat of Napoleon with the aid of the British military and Navy.

here are some fantastic examples of those alrightleaf tiaras:

Diamond tiara, early 19th century, designed as two confronting sprays of oak leaves tapering from the center and set throughout with old-mine diamonds; may also be worn as four brooches. Carrington & Co. Jewelers, London; $160,212.

Diamond tiara, early 19th century, designed as two confronting sprays of o.k.leaves tapering from the core and set throughout with historic-mine diamonds; may also be worn as 4 brooches. Carrington & Co. Jewelers, London; $one hundred sixty,212.

A tiara of oak leaves and acorns based on a classical prototype. The turquoise represents true love and the oak fortitude and strength. The empty acorn cup at the top may stand for the loss that inevitably follows love. This dramatic piece was likely designed for a bride and dates from about 1840.

A tiara of very wellleaves and acorns according to a classical prototype. The turquoise represents genuine love and the alrightfortitude and energy. The empty acorn cup at the desirable may stand for the loss that inevitably follows love. This dramatic piece become seemingly designed for a bride and dates from about 1840.

Silver and gold tiara of oak leaves and acorns set with diamonds, circa 1855, and can also be convertible to a brooch and comb mounts; Hunt & Roskell.

Silver and gold tiara of o.k.leaves and acorns set with diamonds, circa 1855, that could also be convertible to a brooch and comb mounts, as proven in the pictures below; Hunt & Roskell.

The tiara converted into a brooch.

The tiara converted right into a brooch.

Parts of the tiara mounted on tortoise-shell combs.

constituents of the tiara installed on tortoise-shell combs.

A copper-gilt tiara, French, 19th century.

A copper-gilt tiara, French, nineteenth century.

The back of the copper-gilt tiara.

The again of the copper-gilt tiara.

An unusual Victorian silver tiara with acorn and oak-leaf design, circa 1880.

An strange Victorian silver tiara with acorn and okayleaf design, circa 1880.

An oak-leaf tiara with emerald acorns.

An okayleaf tiara with emerald acorns.

Nature interpreted by Joseph Chaumet is an ode to the eternal cycle of the oak tree in this tiara, circa 1903.

Nature interpreted by using Joseph Chaumet is an ode to the everlasting cycle of the okaytree during this tiara, circa 1903.

This tiara of oak leaves, acorns and hollow acorn cups was designed in the manner of ancient Greek jewelry, set with a profusion of brilliant-and rose-cut diamonds. It was made by Garrard after the Neo-Classical fashion of the early 19th century for the 15th Duke of Norfolk to give to his bride, Gwendolen Constable Maxwell, on their marriage in 1904.

This tiara of all rightleaves, acorns and hollow acorn cups become designed in the method of historical Greek earrings, set with a profusion of awesome-and rose-reduce diamonds. It changed into made by using Garrard after the Neo-Classical trend of the early nineteenth century for the fifteenth Duke of Norfolk to provide to his bride, Gwendolen Constable Maxwell, on their wedding day in 1904.

Sapphire and diamond bandeau, early 1930s, Thurn und Taxis. Set with three articulated oak leaves, each accented with a cabochon sapphire, and with a central star sapphire embellished with rose, circular-cut and cushion-shaped diamonds; $284,380.

Sapphire and diamond bandeau, early Thirties, via Thurn und Taxis. Set with three articulated very wellleaves, each accented with a cabochon sapphire and embellished with rose-, round-reduce and cushion-formed diamonds; $284,380.